The Twilight Zone excelled in telling tales of terror, exploring the darkest aspects of human existence in myriad ways. To celebrate the Halloween season, we’re counting down the 31 most frightening and unsettling moments from The Twilight Zone, one for each day of October. We’ll be revisiting some of the episodes we’ve already covered and looking ahead to episodes from the final three seasons of the series. -JP
#26 - A Voice in the Night, from “Night Call,” season five, episode 139
Written
by Richard Matheson, directed by Jacques Tourneur, starring Gladys Cooper, Nora
Marlowe
Richard Matheson’s story of an elderly
woman being terrorized by nightly phone calls from the beyond is a terrifying
concept and, as Matheson proves with his adaptation here, also a versatile one.
As originally written, Matheson’s story was a short horror shocker that built
to an unforgettable final line which signified the chilling gravity of Miss
Elva Keene’s situation. It is a gruesome tour de force that nevertheless would
have proved difficult to adapt for the series without significant
embellishment. Matheson’s original story appeared in 1953 and by the time he
revisited the story a decade later, he was prepared to approach the material in
a different, albeit equally effective, way. Matheson chose to use the skeleton
of his original story to construct a tale of heartbreak, sadness, and regret. It
is another masterpiece from the show’s most consistent storyteller. Matheson
did not cast off the chilling quality of his original story, however, and the
moments in which Elva Keene is awakened by phone calls in the middle of the
night, with a thunderstorm raging outside her bedroom window, remain some of the most
unnerving and atmospheric moments from the series. Much of the credit for the
effectiveness of these scenes belongs to director Jacques Tourneur, whom
Matheson had worked with on A Comedy of
Terrors (1964) immediately before their collaboration on “Night Call.”
Matheson lobbied to have Tourneur hired to helm “Night Call” and the results
are exemplary, with Tourneur’s shadowy, noir style nicely suited to the
story. Gladys Cooper turns in a perfectly pitched performance and, along with
her performance in the third season episode “Nothing in the Dark,” solidified
her place in the front rank of performers to appear on the series.
Trivia:
-Matheson’s original
short story appeared twice under its original title, “Sorry, Right Number,”
before appearing in his 1961 Shock! collection
under the title “Long Distance Call.” It appeared as “Sorry, Right Number” in
the November, 1953 issue of Beyond
Fantasy Fiction, and again in 1960 in the paperback horror anthology Zacherley’s Midnight Snacks (Ballantine).
I don't really remember this one but I'll have to see it again. She was do good in "Nothing in the Dark."
ReplyDeleteShe certainly was and she is excellent in this one as well. Very atmospheric episode with the usual Matheson attention to detail. Jacques Tourneur direction is outstanding. Highly recommended.
ReplyDeleteExcellent direction from Jacques Tourneur, acting from Gladys Cooper and writing from Richard Matheson make this one a winner all the way. The spooky vibes are at the level of the Thriller series, as the episode could easily be on that show and look right at home. It's one of the Zone's rare excursions into pure horror. Offhand, I can only think of The Howling Man as coming close, but there was an undercurrent of Serlingesque moralizing in that one, while Night Call is purely and relentlessly a horror, right to the final moment.
ReplyDeleteOne of, if not the most chilling episodes of the series!
ReplyDeleteI agree. It is very effective. The direction from Tourneur is outstanding. Wish he could have done one or two more for the series.
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