The Twilight Zone excelled in telling tales of terror, exploring the darkest aspects of human existence in myriad ways. To celebrate the Halloween season, we’re counting down the 31 most frightening and unsettling moments from The Twilight Zone, one for each day of October. We’ll be revisiting some of the episodes we’ve already covered and looking ahead to episodes from the final three seasons of the series. -JP
13. Grandma’s Calling, from “Long Distance Call,” season two, episode 58
Written
by Charles Beaumont and William Idelson, directed by James Sheldon, starring
Philip Abbott, Patricia Smith, Lili Darvas, Bill Mumy
“Long Distance Call” is high in the
running as the most unsettling episode of the entire series. The idea of a toy
telephone as a conduit for a loving grandmother to call her young grandson from
beyond the grave and attempt to coerce the child to kill himself so that they
may be reunited in the afterlife is both heartbreakingly sad and undeniably
disturbing. The series rarely ventured into such emotionally jarring content. The
overall effect is a suspenseful and almost unbearably tense episode which seems
to benefit from the otherwise unappealing videotape format, which lends a
disquieting and intimate feeling to the proceedings, giving the viewer an
uncomfortable fly-on-the-wall perspective to a family tragedy. The scenes in
which the young boy speaks to the dead grandmother through the toy telephone
remain some of the creepiest moments from the series. The episode is not
unrelentingly bleak, however, and the ending manages to resolve the horrible
plight of the family without relieving the carefully built tension. Strong
performances abound in this one, particularly from Lil Darvas, as the
grandmother, and Philip Abbott as the desperate father. The episode also marks
the first of three appearances from young actor Bill Mumy, who soon makes an
unforgettable appearance on the series and earns him a high spot on this countdown.
Trivia:
-Charles Beaumont and William Idelson
were on-set during the filming the episode and were asked to write a new
version of the father’s monologue at the end of the episode. In the original
version, the father begs for the life of his son by bringing up his own
relationship to his mother. After trying the scene and finding it flat, the
production crew felt it would work much better if the father concentrated on
the young boy’s relationship to the grandmother, focusing on how little of life
the boy would be allowed if he were to die so young. Beaumont and Idelson
obliged and rewrote the scene on-set.
Read our full coverage of “Long Distance
Call” here.
The videotaped episodes are unfairly maligned, as your capsules on this and "twenty-Two" point out. I also love "Night of the Meek." And when isn't little Billy Mumy great?
ReplyDeleteThe videotape format makes this one even creepier for me because, like I said in the post, it gives the episode an almost voyeuristic quality.
ReplyDelete