The 20 Best Twilight Zone Twist Endings (#1-#5)

The Twilight Zone is a series known for its twist endings and it's safe to say that many of the show’s most well-known episodes are at least partially recalled due to a twist in the tale. Within the show’s output are several truly memorable and effective twist endings. We’ve narrowed these down to 20 and ranked them in order of effectiveness. We will unveil them in groups of 5 over the next four days. Let us know your favorite twist ending on the series. Please note that we have not considered episode 142, "An Occurrence at Owl Creek Bridge," in this list as it was not an original production of the series. 

-JP

Here's a look at our Top 5 twist endings from The Twilight Zone. Do you agree with our list? What are your favorite twist endings from the series? Let us know in the comments. 

5. “Time Enough at Last,” season one, episode 8

          Written by Rod Serling, story by Lyn Venable

The story: Henry Bemis, a bookworm who never has time to read, is granted an eternity to read once the rest of humanity is wiped out by atomic bombs.

          The twist: He breaks his glasses and is therefore                unable to read.

Note: A enduring fan favorite, “Time Enough at Last” is also one of the cruelest episodes of the entire series, and one of the few times an innocent person is so harshly punished for the sake of irony. It is the first episode based on the work of a writer other than Rod Serling, as Serling chose to adapt the story from Lyn Venable, which originally appeared in the January, 1953 issue of If: Worlds of Science Fiction.

Read our full review here.

4. “Five Characters in Search of an Exit,” season three, episode 79

          Written by Rod Serling, based on an unpublished                  story by Marvin Petal

The story: An Army Major, a ballet dancer, a clown, a bagpiper, and a hobo find themselves trapped within an empty cylindrical room.

The twist: They are toys, trapped in a Christmas donation can.

Note: An engaging mix of existentialism and suspense, the episode is based on an unpublished story, “The Depository,” by journalist Marvin Petal. Exceptional character design and powerful performances from William Windom as the Army Major and Murray Matheson as the clown highlight the events leading to one of the more memorable twist endings of the series.

Read our full review here.

3. “Eye of the Beholder,” season two, episode 42

          Written by Rod Serling

The story: A woman attempts to alter her appearance in order to fit into a society which demands conformity.

The twist: The woman is beautiful and exists in a society populated by grotesque people.

Note: One of the most memorable episodes of the series due in large part to its shocking climax, Rod Serling’s statement on the dangers of conformity features unforgettable makeup by William Tuttle, innovative production design, and the visual magic of director Douglas Heyes and photographer George T. Clemens, who were tasked with keeping the faces of every player obscured or hidden in shadow. It is easy to underestimate the innovative artistry of the episode, as it appeared at a time when few television series were taking such creative risks. A unqualified triumph all around for Rod Serling’s series.

Read our full review here.

2. “The Invaders,” season two, episode 51

         Written by Richard Matheson

The story: A poor woman in an isolated farmhouse is terrorized by miniature invaders.

The twist: The small invaders are from Earth and the woman is of a giant alien race.

Note: “The Invaders” features Richard Matheson’s most shocking twist ending, and Matheson was a master of twist endings. The episode once again displays the mastery of director Douglas Heyes and also boasts an astonishing performance by veteran actress Agnes Moorehead, as well as an exceptional score by Jerry Goldsmith which would be reused in several subsequent episodes. The episode is almost entirely silent and features a story motif, that of an isolated individual terrorized by a small invader, which would reappear in other works from Matheson, most memorably in the third and final segment of the 1975 horror anthology film, Trilogy of Terror. The segment, “Amelia,” features Karen Black as a woman terrorized by a killer Zuni fetish doll.

Read our full review here.

1.  “To Serve Man,” season three, episode 89

          Written by Rod Serling, story by Damon Knight

The story: Kanamits, a superior alien race, arrive on Earth promising to bring peace and prosperity to all human beings.

The twist: The Kanamits are bringing people to their home planet in order to eat them.

Note: The episode features the most ghoulish, horrifying, and humorous twist ending of the series, and is a shocker which has likely been parodied more than another other episode of the series. The devastating climactic line, “It’s a cookbook!” is known even to those who have never seen the episode. The story is the most well-known work of science fiction author, critic, and editor Damon Knight, due in no small part to its memorable adaptation on The Twilight Zone. The story was originally published in the November, 1950 issue of Galaxy Science Fiction and won a Retro Hugo Award in 2001 for the best science fiction story published in 1950. For the November 4-10, 2013 issue of TV Guide Magazine, Matt Roush, in the article "Eyes on Surprise! The 60 Most Startling Twists of All Time," selected "To Serve Man" as the greatest television twist ending of all time. 

Look for our full review of “To Serve Man” later today. 

"Time Enough At Last"

Burgess Meredith as the unfortunate bookworm Henry Bemis

“Time Enough At Last”
Season One, Episode 8
Original Air Date: November 20, 1959

Cast:
Henry Bemis: Burgess Meredith
Helen Bemis: Jaqueline deWit
Mr. Carsville: Vaughn Taylor
Mrs. Chester: Lela Bliss

Crew:
Writer: Rod Serling (Based on the story by Lynn Venable)
Director: John Brahm
Producer: Buck Houghton
Production Manager: Ralph W. Nelson
Director of Photography: George T. Clemens
Art Direction: George W. Davis and William Ferrari
Set Decoration: Rudy Butler and Henry Grace
Assistant Director: Edward Denault
Casting: Mildred Gusse
Editor: Bill Mosher
Sound: Franklin Milton and Jean Valentino 
Music: Leith Stevens

And Now, Mr. Serling: 
         "Next week a distinguished actor lends us his talents as Mr. Burgess Meredith stars in 'Time Enough At Last,' the story of man who seeks salvation in the rubble of a ruined world. We hope you'll share this very strange experience with us. Thank you and good night."

Rod Serling's Opening Narration: 
                "Witness Mr. Henry Bemis, a charter member in the fraternity of dreamers, a bookish little man whose passion is the printed page, but who is conspired against by a bank president and a wife and a world full of tongue-cluckers and the unrelenting hands of a clock. But in just a moment Mr. Bemis will enter a world without bank presidents or wives or clocks or anything else. He'll have a world all to himself, without anyone."

Summary: 
                Bank teller Henry Bemis is a bookish, middle-aged man who can never find time during his day to do what he loves: read. He attempts to read at his job and winds up neglecting customers and making mistakes, bringing his reading habit to the unwanted attention of the bank manager. At home, his wife refuses to give him a moment of peace for reading or, frankly, anything else she doesn't deem fit for her husband to do. She is a sadistic, over-bearing woman who resorts to finding the books that Bemis has hidden in their home and proceeding to gratuitously mark over the text in black ink on each page. She then places them back where Bemis last left them in order to gloat when her husband comes along and finds the nasty surprise. 
                At work, Bemis has devised a curious habit that allows him some time to read in the middle of his day. On his lunch break, he takes his bagged lunch down into the bank vault where he closes himself inside to sit, eat, and read his book in the solitude and quiet. 
                One day, when Bemis is in the vault, reading, he sees the glass on his watch face break and then feels the ground and walls shake terribly, knocking his glasses from his face. "The Bomb" has been dropped. Emerging from the bank vault, shaken, Bemis, at first, cannot see anything, for he is blind without his glasses. Find them and putting them on, he finds the world around him in shambles. 
                Stumbling through this wasteland, Bemis finds a newspaper prophesizing the event and realizes what has happened. He panics, terrified of being the last man on Earth, and runs through the rubble of what was his hometown calling out for somebody, anybody. But there is nobody there. Bemis is, as far as he can tell, the last man alive. Time goes by and, though he knows he won't starve, Bemis contemplates suicide as an escape from the unbearable lonliness of his situation.

Rod Serling's Middle Narration:
                "Seconds, minutes, hours. They crawl by on hands and knees for Mr. Henry Bemis, who looks for a spark in the ashes of a dead world: A telephone connected to nothingness; a neighborhood bar, a movie, a baseball diamond, a hardware store, the mailbox at what was once his house and is now rubbl. They lie at his feet as battered monuments to what was but is no more. Mr. Henry Bemis on an eight hour tour of a graveyard."  

                Then Bemis sees it, the public library. It is in ruins and the books, mountains of books, have spilled out into the street. Joy overcomes him and he fights his way to the steps of the library, relishing the books. He takes the time to organize the books by the months of the calendar. Suicide has left his mind, for he has the companionship of all his favorite authors and all their greatest works with him now. He has all the time in the world to read and nothing to stop him, no job at the bank and no cruel wife, either. Bemis reaches down for a book lying near his feet on the stone steps. His glasses slide off his face and come down on the stone steps, breaking the glass out of the frames. Blind without his glasses and unable to read, Bemis hold up the usesless frames and cries out in a moment of terrible pathos. "But there was time now. It's not fair!" He is now to be thrown back in the darkness of his lonliness.

Rod Serling's Closing Narration: 

                "The best laid plans of mice and men, and Henry Bemis, the small man in the glasses who wanted nothing but time. Henry Bemis, now just a part of a smashed landscape, just a piece of the rubble, just a fragment of what man has deeded to himself. Mr. Henry Bemis. . . in the Twilight Zone."

Commentary:

                "Time Enough at Last" is, without question, one the most fondly remembered episodes in the show's entire run. It is a solid, entertaining, and certainly enduring episode but was not a sign of the type of seriousness of intent the series would achieve with the later masterpieces from the second and third seasons, despite the fact that it broaches the very serious issue of nuclear war. It does signal that Rod Serling, and the other series writers, were going to approach serious social issues, such as the Cold War, even in the context of a humorous episode like "Time Enough at Last." The episode sticks in the memory due to the cleverness of its plot, it's unforgettable twist ending, and the memorable performance of Twilight Zone regular Burgess Meredith.
              Despite lacking in areas of complexity and psychological depth which distinguished many of the other classic episodes of the series, "Time Enough at Last" is an effective bit of tragedy with moments of real pathos, but perhaps an episode too reliant upon its cruel twist ending. 
                It has found an enduring place among fans of the show because it is painted in broad strokes. Every character in the show is a cartoon character and performed in an over-the-top manner, from Henry's bully of a wife ("Heeennnnrryyyy") to his overbearing boss. Even Henry is a cartoon character, more a type than a distinct personality. A lesser actor than Burgess Meredith may have fumbled the role but Meredith lifts it up beyond its basic value on the page, adding idiosyncratic touches such as a stutter of speech. These broad characters and the broad performances from the principal actors give the episode the feeling of a standard late 1950s situational comedy, something that is reinforced by the light flourishes from the music of Leith Stevens.
               Burgess Meredith appeared in a total of four episodes and "Time Enough at Last" is his best known performance from the series. It can be argued that season two's "The Obsolete Man" is Meredith's best performance for the series, though he never turned in a bad one. In "Time Enough at Last," he is memorable as the incredibly weak and unfortunate Henry Bemis, and he plays this type of role extraordinarily well. So much so that his performance in this episode undoubtedly secured his later appearance in "Mr. Dingle, the Strong," in which he plays a similar type of unfortunate character that is the beneficiary/victim of extraordinary powers. 
      The character of Henry Bemis is a veiled stand-in for Lynn Venable, the author of the original short story upon which the episode is based. Venable was inspired to write the story by her real-life struggle to find time to read along with a fear of breaking her reading glasses. Venable's full first name is Marilyn but she chose to submit her stories as "Lynn" in order to remain gender neutral to magazine editors. She was represented for a time by the literary agent and science fiction fan and collector Forrest J. Ackerman. 
           One of the greatest strengths of the episode is the production design. The "after the bomb" setting is an incredibly effective design on the part of the production crew, even though it is an unlikely look for the destruction from a nuclear bomb. What it more resembles is the destruction caused by an earthquake. The effects of earthquakes were well known and documented by 1959 whereas the effects of nuclear bombs were still being explored, with many of the results being hidden away from most Americans or distributed as lies and misinformation.   
             However unlikely a set in terms of a realistic depiction of the fallout from a bomb, it is devastating in its bleakness. The stunning visuals were designed by Art Directors George W. Davis and William Ferrari.
             "Time Enough at Last" is a seminal episode in the show's history and is especially important for the show's place in the cultural landscape, as its plot is recognized even by those who have not seen the show. It is a highly watchable episode and one of the shining points in the first season.

Grade: B

Notes:

-Lynn Venable's short story originally appeared in the January, 1953 issue of IF: Worlds of Science Fiction. 
-Burgess Meredith also featured in the second season episodes "The Obsolete Man" and "Mr. Dingle, the Strong," as well as the fourth season episode "Printer's Devil." He appeared in two episodes of Rod Serling's Night Gallery, "The Little Black Bag" and "Finnegan's Flight."
-Actor Vaughn Taylor also appears in the third season episodes "Still Valley" and "I Sing the Body Electric," as well as the fourth season episode "The Incredible World of Horace Ford" and the fifth season episode "The Self-Improvement of Salvadore Ross."
-"Time Enought at Last" was adapted into a Twilight Zone Radio Drama by Dennis Etchison, starring Tim Kazurinsky. 

--JP