Volume 1, number 10 (January, 1982; Christmas issue)
Cover Art: Carl Chaplin
TZ Publications, Inc.
President
& Chairman: S. Edward Orenstein
Secretary/Treasurer:
Sidney Z. Gellman
Executive
Vice-Presidents: Leon Garry, Eric
Protter
Executive
Publisher: S. Edward Orenstein
Publisher:
Leon Garry
Associate
Publisher & Consulting Editor: Carol
Serling
Editorial
Director: Eric Protter
Editor:
T.E.D. Klein
Managing
Editor: Jane Bayer
Contributing
Editors: Gahan Wilson, Theodore
Sturgeon
Design
Director: Derek Burton
Art
and Studio Production: Georg the
Design Group
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Director: Edward Ernest
Controller:
Thomas Schiff
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Asst.: Doreen Carrigan
Director,
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Brooks
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Relations Manager: Jeffrey Nickora
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Mgr.: Chris Grossman
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Adv.
Production Manager: Marina Despotakis
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Contents:
--In The Twilight Zone: "The
sunsets were red . . ." by T.E.D. Klein
--Other Dimensions: Books by Theodore
Sturgeon
--Other Dimensions: Screen by Gahan
Wilson
--TZ Interview: Frank Belknap Long
--"Influencing the Hell Out of Time
and Teresa Golowitz" by Parke Godwin
--"Miss Mouse and the Fourth
Dimension" by Robert Sheckley
--"Dream Along With Me" by
Reginald Bretnor
--"My Most Memorable
Christmas" by Rod Serling
--"Lost and Found" by Connie
Willis
--TZ Screen Preview: Ghost Story by Robert Martin
--The Essential Writers: J. Sheridan
LeFanu by Mike Ashley
--Required Reading: "An Account of
Some Strange Disturbances in Aungier Street" by J. Sheridan LeFanu
--"Of Sleds and Forty Winters"
by Vic Johnson
--"The Autumn Visitors" by
Frank Belknap Long
--"Final Version" by John
Morressy
--Show-by-Show Guide: TV's Twilight
Zone: Part Ten by Marc Scott Zicree
--TZ Classic Teleplay: "The Night
of the Meek" by Rod Serling
--Looking Ahead: In February's TZ
--In the Twilight Zone: "The sunsets were red . . ." by T.E.D. Klein
--In the Twilight Zone: "The sunsets were red . . ." by T.E.D. Klein
-Klein's
editorial space is his typical rundown of the issue's contents,
including capsule biographies of the issue's contributors accompanied by
thumbnail images of the writers.
--Other Dimensions: Books by Theodore Sturgeon
-This is Sturgeon's final appearance as the reviewer for the magazine. Robert Sheckley will take over next issue and TZ's review column will field an impressive list of contributors over the course of the magazine's run, including Karl Edward Wagner, Thomas M. Disch, E.F. Bleiler, and Edward Bryant.
--Other Dimensions: Books by Theodore Sturgeon
-This is Sturgeon's final appearance as the reviewer for the magazine. Robert Sheckley will take over next issue and TZ's review column will field an impressive list of contributors over the course of the magazine's run, including Karl Edward Wagner, Thomas M. Disch, E.F. Bleiler, and Edward Bryant.
Here's
a quick look at the books Sturgeon reviews, in the reviewer's words:
-Oath of Fealty by Larry Niven and Jerry
Pournelle
"The
whole thing is cast in an exciting, swift, and suspenseful narrative - all in
all, a fine reading experience."
-Wild Seed by Octavia Butler
"Written
with power, passion, and compassion, it is, as well, as unique a story as this
field has yet produced."
-Tales from the Nightside by Charles L.
Grant
".
. . a fine collection of his own work, with a Stephen King introduction and
striking drawings by Andrew Smith - the kind of book (like all of the Arkham
product) that is a pleasure to have and to hold."
- Starship and Haiku by Somtow
Sucharitkul
".
. . enjoy this book, with its fascinating suggestion that the great whales
produced manlike creatures who infiltrated and interbred with the Japanese and
produced their preoccupations with beauty and with death."
-Other Stories and The Attack of the
Giant Baby by Kit Reed
"Not
since Margaret St. Clair has there been so deft and unpredictable a
storyteller. In quality her stories vary from excellent all the way down to
good."
-The Keep by F. Paul Wilson
"If
you like big moody Gothics, you'll love this one."
-The Former King by Adam Corby
"You've
seen it before, of course, and you know the hero always wins. But Corby has the
gift; he keeps you wondering when you know you needn't."
-A Dream of Kinship by Richard Cowper
".
. . transplant of medieval England into the thirtieth century, replete with the
clash of arms and the whispers of intrigue, as the "Kinsmen" strive
to sustain a rebirth of faith."
-Quas Starbrite by James R. Berry
".
. . just right for the Star Wars trade, or maybe I mean Galactica."
-Hot Time in Old Town by Mike McQuay
".
. . is exactly what its cover proclaims it to be: the adventures of a
twenty-first century hardheeling private eye."
-Unsilent Night by Tanith Lee
"Between
its hard covers are two short stories, ten poems, and one perfectly gorgeous
portrait photograph. I rather liked the stories; I found the poetry to be
undisciplined."
Here is Sturgeon's farewell message
to readers of the magazine:
"I
have enjoyed riding TZ's masthead more than I have words or space to convey.
You have a good book here, with a good editor; long may they wave. As for me,
I'm going to apply my energies and attentions to my own work instead of
others'. I have a novel going (for the first time in more than twenty years); the
working title is Star Anguish. I do hope you will like it."
-Star
Anguish never appeared though
Sturgeon's long-gestating novel Godbody appeared posthumously in 1986. Sturgeon died on May 8, 1985.
--Other
Dimensions: Screen by Gahan Wilson
-Wilson
reviews the 1981 adult animated fantasy film Heavy Metal, directed by Gerald
Potterton from a script by Dan Goldberg & Len Blum. The film is based on
material from the American illustrated fantasy magazine of the same name,
itself modeled upon the French magazine Métal Hurant.
-Unfortunately
for those who enjoy Heavy Metal, Wilson's review is largely unfavorable. It is
important to remember that a feature-length animated
film for adult audiences was a relatively recent development in the U.S. Wilson feels that fantasy and animation should go well together but rarely does, even in the coveted Disney films, though he does hold these as the standard for success. A radically alternative film like Heavy Metal had virtually no chance of measuring up to that standard. Heavy Metal is by no means a perfect film, or even an
entirely successful one, but it is not unreasonable to
point to Heavy Metal as the
beginnings of the mature animated film in the U.S.
-Wilson
draws upon the rich field of cartoons and animation ranging from newspaper comics to early short
subjects like Betty Boop to field his comparison of what Heavy
Metal intends to be and what it
ultimately becomes: an overly commercial product too eager
to please its audience. It is a surprisingly dismissive review from Wilson, himself a talented, respected, and alternative cartoonist. Wilson concludes his review in this way: "I
wish the whole picture had been handled better. It could have been a classic of
its kind and an inspiration to animators of the future. As it is, the thing is
only distasteful. The really unfortunate aspect of it is that, by being unable
to convey the magazine's genuine naïve and somewhat crude charm, all that comes
through are the magazine's aspects - the juvenile humor, the endless
sadomasochism, the silly plots - and you end up with an icky movie."
--TZ Interview: Frank Belknap Long
--TZ Interview: Frank Belknap Long
"On Literature, Lovecraft, and the
Golden Age of 'Weird Tales.'"
-This
is a fantastic interview for readers with a taste for the classic era of
American weird fiction, exemplified in the pages of Weird Tales magazine.
Long (1901-1994) was there at the very beginning and his career somewhat
mirrors that of his friend & mentor, H.P. Lovecraft, who, as a subject,
takes up a large portion of the interview.
-Like
Lovecraft, Long developed his craft in the amateur journalism publications of
the day before moving into the pulps with tales of horror and SF. Long was
enormously prolific but it may surprise readers to learn that he wrote far more
SF than weird fiction. He is, however, largely remembered today for his weird
tales, particularly the few "Cthulhu Mythos" tales he wrote in homage
to/imitation of Lovecraft's fictional universe. The most notable of these is
"The Hounds of Tindalos," which appeared in the March, 1929 issue of Weird Tales. The
tale was the title story of Long's 1946 Arkham House volume, a book upon which
Long's reputation rests. Another, earlier, Mythos tale, "The
Space Eaters," from the July, 1928 issue of Weird Tales, was adapted for television on the syndicated
anthology program Monsters by writer/director
Robert T. Megginson (1991).
-The
interview takes a long and pleasant trip through Long's entire career with much
time spent on the amateur journalism, the Weird Tales circle, & the
then-current resurgence of interest in Long's work with such volumes as The
Rim of the Unknown (1972), The Early
Long (1975), & the poetry volume, In
Mayan Splendor (1977). Long's presence in
the magazine continues later in the issue with a new story, "The Autumn
Visitors."
--"Influencing the Hell Out of Time and Teresa Golowitz" by Parke Godwin
Illustrated by Anna Rich
"He was a most unlikely hero: a horny young man with an old man's soul and the devil for a sidekick!"
--"Influencing the Hell Out of Time and Teresa Golowitz" by Parke Godwin
Illustrated by Anna Rich
"He was a most unlikely hero: a horny young man with an old man's soul and the devil for a sidekick!"
-An
aging man strikes a deal with the devil to return to the glory of his youth and
have sex with the young woman who transfixed him at the time.
-This
is a playful and enjoyable story from Godwin (1929-2013) which works upon the
established tropes of the deal-with-the-devil story to produce a tale of
redemption and honest truth about oneself. In his travels to the past, the
old/young man discovers that the young woman he thought he desperately wanted is actually a rather sad and lonely girl who, to his old man's eyes, is
not as attractive as he remembered. Instead, he finds himself saving the
titular character, a physically unattractive outcast, from suicide once he
discovers her amazing singing voice. If the plot sounds like an episode from
the revival TZ series it's because the story was adapted for the series as
"Time and Teresa Golowitz" by writer Alan Brennert & director
Shelley Levinson, broadcast July 10, 1987.
-Godwin's work in SF yielded a World Fantasy Award in 1982 for his novella, "The Fire When It Comes," from the May, 1981 issue of The Magazine of Fantasy and Science Fiction. "Influencing the Hell Out of Time and Teresa Golowitz" was included in The Year's Best Fantasy Stories: 9, ed by Arthur Saha (1983) and collected in Godwin's 1984 collection The Fire When It Comes. Editor Marvin Kaye, who collaborated with Godwin on two novels, included the story in his 1987 anthology Devils & Demons: A Treasury of Fiendish Tales, Old and New.
--"Miss Mouse and the Fourth Dimension" by Robert Sheckley
-Godwin's work in SF yielded a World Fantasy Award in 1982 for his novella, "The Fire When It Comes," from the May, 1981 issue of The Magazine of Fantasy and Science Fiction. "Influencing the Hell Out of Time and Teresa Golowitz" was included in The Year's Best Fantasy Stories: 9, ed by Arthur Saha (1983) and collected in Godwin's 1984 collection The Fire When It Comes. Editor Marvin Kaye, who collaborated with Godwin on two novels, included the story in his 1987 anthology Devils & Demons: A Treasury of Fiendish Tales, Old and New.
--"Miss Mouse and the Fourth Dimension" by Robert Sheckley
Illustrated by Marty Blake
"Never underestimate the power of a
woman - especially when it's raised to a power of four!"
-An
ambitious experiment with contacting an alternate dimension goes awry when a
woman's affections become involved.
-Robert
Sheckley (1928-2005) returns to the pages of the magazine with this short and
clever story. Sheckley is remembered for his witty, wry short stories and this
one is typical of his output if a bit less effective than his best. The story was included in Sheckley's 1984 collection, Is That What People Do? & reprinted in Mathenauts: Tales of Mathematical Wonder, ed Rudy Rucker (1987).
--"Dream
Along With Me" by Reginald Bretnor
Illustrated by William Casey
"Her love was unnatural and
forbidden, the penalty dreadful . . . and divine"
-An
aging cleaning lady on the outskirts of society discovers the joys and horror
of being loved by a deity.
-Bretnor
(1911-1992), born in Russia as Alfred Reginald Bretnor, fuses the ordinary tale
of a lonely working-class woman with the Greek myth of Semele, mother of
Dionysus and mate of Zeus who, in some versions of the legends, was consumed in
fire after mating with the god. In Bretnor's version, an old woman is revisited
by a vision of her youth which manifest itself in her dreams and consumes her
in fire in an incident interpreted by those who find her charred remains as an
act of spontaneous combustion.
-Bretnor
enjoyed a long SF career anchored by his saga of Ferdinand Feghoot, which ran
for decades in the SF magazines. "Dream Along With Me" has not been
reprinted since its original appearance in the magazine.
--"My
Most Memorable Christmas" by Rod Serling
Illustrated by Annie Alleman
"The
Twilight Zone's creator remembers a
time when two simple words transformed the world."
-This previously unpublished short memoir by Serling during his time with the 511 Parachute Regiment during WWII is a nice piece of nostalgia about the hard scrabble of the war and the simple reassuring nature of the words "It's Christmas" as it is passed down the line during a march. Carol Serling writes in a brief foreword: "When he wrote this, he was a young, newly-returned-home soldier. It is admittedly unsophisticated and ingenuous, but at Christmas there's always room for a little extra sentiment. And I suggest that the story was not only addressed to the men of the 511th, but to all of us who approach this holiday season with hope and faith in the future." The memoir was reprinted in the magazine's only annual volume: Great Stories from Rod Serling's The Twilight Zone Magazine (1982).
-This previously unpublished short memoir by Serling during his time with the 511 Parachute Regiment during WWII is a nice piece of nostalgia about the hard scrabble of the war and the simple reassuring nature of the words "It's Christmas" as it is passed down the line during a march. Carol Serling writes in a brief foreword: "When he wrote this, he was a young, newly-returned-home soldier. It is admittedly unsophisticated and ingenuous, but at Christmas there's always room for a little extra sentiment. And I suggest that the story was not only addressed to the men of the 511th, but to all of us who approach this holiday season with hope and faith in the future." The memoir was reprinted in the magazine's only annual volume: Great Stories from Rod Serling's The Twilight Zone Magazine (1982).
--"Lost
and Found" by Connie Willis
Illustrated by Brad Hamann
"You'll know the future's drawing
to an end when the past begins turning up."
-Long-lost
Christian artifacts turn up at a remote school outpost in a dystopian society,
signaling a coming apocalypse.
-Connie
Willis (1945- ), even at this early stage of her career, is so very talented,
intelligent, and ambitious that her fiction is instantly engaging even if the
reader finishes the story not quite satisfied with how the pieces eventually
came together. Such is the case with this story which has the texture of a
dream and the seriousness of vision displayed by the best SF of the period. The
story was reprinted Willis's 1985 collection, Fire Watch, and
reprinted in Bangs and Whimpers: Stories About the End of the World, ed James Frenkel (1999).
-Willis
is one of the most honored SF writers of her generation, garnering every
important award in the field, most multiple times, for such novels as Doomsday Book (1992)
& Blackout (2010). Many consider
Willis the finest SF novelist of the last thirty years. It is nice to see her
appearance with an early story in the pages of TZ.
--TZ Screen Preview: Ghost Story by Robert Martin
--TZ Screen Preview: Ghost Story by Robert Martin
Illustrated with stills from the film.
"Peter Straub's novel about a
shape-changing demoness has undergone some shape-changes of its own on the way
to the screen. TZ's Robert Martin covers the transformation."
-Based
on Peter Straub's (1943- ) 1979 bestseller, Ghost Story, the 1981 film, is
now generally viewed as a missed opportunity to bring literate horror by one of
the field's finest contributors to the medium of film. Despite its excellent
cast of veteran actors and still-impressive makeup effects by Dick Smith, the
film is regarded as a novelty at best and a butchering of a seminal novel in
the genre at worst. Either way, this is a thorough rundown of the production of
the film from veteran genre journalist, and Fangoria editor, "Uncle" Bob Martin. The article includes interview
snippets with Straub, members of the cast, the director, and the producer, all
framed by full-color images from the film.
--The
Essential Writers: J. Sheridan LeFanu by Mike Ashley
"Introducing the shy, reclusive
Dubliner whose imagination was haunted by crawling hands, malevolent monkeys,
and vampire temptresses."
-This
is another excellent essay by veteran genre authority Mike Ashley (1948- ) in
an engaging series on the essential writers in the horror/supernatural
field. Sheridan LeFanu, born in Dublin (1814-1873), is more essential than most. Many
consider him to be the European equivalent of Edgar Allan Poe in
terms of influence and ingenuity. LeFanu created the vampire thriller as we know it and largely built the foundation upon with the English ghost story was built. Though LeFanu and Poe have much in common, LeFanu was more willing to
engage the supernatural to achieve his effects. LeFanu's supernatural stories, such as the harrowing "Green Tea" or the influential vampire tale "Carmilla," remain effective today. Mike Ashley gives a full
account of LeFanu's life, with insights into several of LeFanu's notable
tales. This is essential reading for fans of classic supernatural fiction.
--"An
Account of Some Strange Disturbances in Aungier Street" by J. Sheridan
LeFanu
Illustrated by José Reyes
"Stoke the fire, mull some wine,
and usher in the Christmas season the way the Victorians did, with this classic
haunted-house tale by a master of the form."
-Two
medical students move in to an old home in Dublin and are immediately beset by the vengeful ghost of the
"Hanging Judge" who mysteriously died in the home some years before.
-This
1853 tale will strike readers as a typical haunted house tale, related in a straight-forward way with all the hallmarks of the genre. The two students are harassed in a series of encounters with the
"Hanging Judge" during the late hours of the night between sleeping and wakefulness. After independently suffering for a time, the
students come together with twin tales of ghostly encounters and
decide to immediately leave. It is suggested that the haunting continues as the narrator relates the misfortunes of those who later took up residency in the
home. This tale was reworked for LeFanu's 1872 story, "Mr.
Justice Harbottle," which itself inspired Bram Stoker's 1891 tale,
"The Judge's House."
-"An
Account of Some Strange Disturbances in Aungier Street" was first
published in Dublin University
Magazine (Dec, 1853). It was not
collected until M.R. James, perhaps the master of the English ghost
story, compiled the posthumous volume, Madam Crowl's
Ghost and Other Tales of Mystery (1923).
Montague Summers included the tale in The Supernatural Omnibus (1931), and it has been reprinted a number
of times in ghostly-themed anthologies.
--"Of Sleds and Forty Winters" by Vic Johnson
--"Of Sleds and Forty Winters" by Vic Johnson
Illustrated by E.T. (Broeck) Steadman
"A tale of age and everlasting
youth, of the timelessness of newly fallen snow."
-A
father takes his son sledding near the father's boyhood home and experiences a
disorienting slippage in time.
-This
will be an engaging tale for TZ fans for no other reason than it resembles so
many TZ stories about age and youthfulness, of going back in time, and the ways
in which memory and nostalgia can capture the mind. In this way it will recall
for the reader such TZ episodes as "Walking Distance,"
"Static," and "Kick the Can," all of which concern themselves
with people who have passed the age of youthfulness and long to return to the
simpler time of their younger days. The story is really a vignette and so must
achieve in atmosphere what it lacks the length to achieve in narrative force.
The story generally succeeds in doing so, including an unnerving sequence in
which the father seems to lose memory of his adult life for a few moments
before his young son can pull him back into the here and now. The story has not
been reprinted since its appearance in TZ and Vic Johnson seems to have begun
and ended his SF writing with the tale.
--"The
Autumn Visitors" by Frank Belknap Long
Illustrated by Chris Pelletiere
"A brand new tale of love and
transcendence by the subject of this month's TZ interview."
-An
aging couple encounter interdimensional beings while secluded at their
beachfront home after the summer tourists have departed.
-This
is an interesting and, one feels, a personal tale from the veteran writer
though it is not as moving as Long intended it to be. The setup is fascinating:
the narrator's wife discovers a piece of driftwood shaped like a child's doll and brings it back to their beach house. Later in the night the
narrator is awakened to small sounds in the house and encounters a beautiful girl child reaching for the driftwood doll kept on a high
mantle. The child flees and is bodily taken away down the beach by two adult
figures. In the story's most jarring moment, Long stops a chase sequence to
demonstrate the telepathic abilities of the strange visitors, whose physical
touch can incinerate flesh, as the narrator finds out when he
witnesses his dog incinerated. The story ends with unconvincing hopefulness in which the narrator and his wife are inspired by
their encounter with the "others" to try and have a child of their
own.
-"The
Autumn Visitors" was collected in the huge retrospective volume, Masters of the Weird Tale: Frank Belknap Long (Centipede Press, 2010), which includes an
introduction by Long's fellow contributor to this issue of TZ, Connie Willis.
--"Final Version" by John Morressy
--"Final Version" by John Morressy
Illustrated by Nicola Cuti
"God help us, it's another
Adam-and-Eve story - and at long last, one that makes sense!"
-A
man and woman defiantly confront their creator over the eating of forbidden
fruit.
-As
the heading indicates, Adam-and-Eve tales are groan-inducing among SF readers.
The Twilight Zone committed itself to a dreadful example of the story type with
the fifth season episode, "Probe 7 - Over and Out." Morressy takes a
crack at the cliché and generally comes out on top with this fable-like
vignette concerning the archetypal Adam and Eve (unnamed in the story) who eat
of the forbidden fruit and then refuse to bow before the wrath of their creator
over the nonsensical (and unjust) situation of tempting for no other cause than
to elicit slavish devotion in return. The story also plays into the larger
subgenre of religious SF which was very much in vogue at the time this story
appeared as compared to its relative scarcity today. "Final Version"
was reprinted in 100 Great Fantasy
Short Short Stories, ed Martin H.
Greenberg, Isaac Asimov, & Terry Carr (Doubleday, 1984).
--Show-by-Show
Guide: TV's Twilight Zone: Part Ten by Marc Scott Zicree
-Zicree,
author of The Twilight Zone
Companion, which recently saw release of
an expanded 3rd edition, returns with his episode guide to the original series.
Zicree covers the following episodes in this installment, all of which we have
covered here in the Vortex: "A Piano in the House," "To Serve
Man," "The Last Rites of Jeff Myrtlebank," "The
Fugitive," "Little Girl Lost," "Person or Persons
Unknown," & "The Gift."
--TZ Classic Teleplay: "The Night of the Meek" by Rod Serling
--TZ Classic Teleplay: "The Night of the Meek" by Rod Serling
Illustrated with publicity stills from
the episode.
-Here
is the original teleplay of the fan-favorite holiday episode from series
creator Rod Serling. You can read Brian's review here.
--Looking
Ahead: In February's TZ
-Next
month we have Robert Sheckley's first installment as the books reviewer, Gahan
Wilson's reviews of the films Polyester
and Strange Behavior, and a new column on music by Jack Sullivan.
We'll be looking at stories by Charles L. Grant, Richard Christian Matheson,
Gardner Dozois & Jack Dann, George Alec Effinger, and others. Filmmaker Wes
Craven is the interview subject, James Verniere previews Craven's film Swamp
Thing, and Stephen DiLauro & Don
Hamerman look at "The Gargoyles of Gotham." The issue is rounded out by
Marc Scott Zicree's continuing guide to the original series and Rod Serling's
classic TZ teleplay for "A Stop at Willoughby." See you next time!
-JP
I really enjoy reading these reviews of the magazine issues, just as I enjoyed reading the magazines when they came out so many years ago!
ReplyDeleteThanks, Jack! The magazine was such a perfect vehicle for that time, right at the start of the 80s horror and SF boom. I still marvel at how many great contributors the magazine had across its run.
DeleteThis excellent column has reminded me of Frank Belknap Long, a good writer I haven’t read in years. I ended up digging out my old copy of this magazine from my basement and reading both the interview and “The Autumn Visitors,” which led to my purchasing an ebook of Long’s weird stories I’m now enjoying. He was no Lovecraft, but his writing could be very effective on its own pulpish terms. Thanks for the inspiration!
ReplyDeleteHey, Chris! It's great to hear that. Long's interview is a real treat. I love to read about the Weird Tales writers. "The Autumn Visitors" didn't do much for me though it feels like a very personal piece. It's great to know that Long's fiction is easily obtained. Some time ago I came across a paperback of The Rim of the Unknown in a secondhand shop. I've yet to read it though I understand it contains his SF output.
DeleteGoing through the magazine issue by issue I begin to see how great it is as a rich artifact of that time, and, pleasingly, it is a literary magazine at heart. I'm glad to hear I was able to bring this one back for you.